1998-99, 16mm, 3min15sec, silent, b/w
Six short studies on film material subject: picture division, film frames, positive, negative, leader, projection, TV screen on film.
______________________________________________________________________________________1998-99, 16mm, 4min15sec, sound, color
Music video. Footage of a band called Kopir Rozsywal Bestar. Six black and white shots of musicians, completed by etched imprints of film perforation, colored and further chemically changed through a colored stencil. Part of the film is also formed by textile samples imprinted onto a black background.
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1998, 16mm, 3min30sec, silent, color
______________________________________________________________________________________1997-98, 16mm, 5min, sound, b/w
Archive takes of an athletic meeting, featured sequences and frame-by-frame architectural montage, abstract etched pictures on the surface of the filmstrip. All of them are connected by a dramatic structure of a radio play with irregularly looped dialogues. The film balances on the edge of presentation of the image, constantly self-ironic, commenting on its course. Sound: Martin Ježek.
1998, 16mm, 2min30sec, silent, b/w
Short report of the Kurt Kren visit of Prague Ponrepo cinema, filmed mainly with frame-by-frame method.
1997, 16mm, 2min30sec, silent, b/w
Materialization of light points is caused by multiple exposure of the negative to night lighting. Light - a bright peephole in the dark surface is solidified on the negative strip. With the aid of different speeds, sizes and directions of motion the randomly flying black spots create an impression of ungraspable space and the intersection of different levels in motion. At the same time the ffilm is a tribute to the east-German negative Orwo NP55, which is a starting point of many experimental movies.
1997, 35mm, 42sec, sound, color
Abstract movie based on the inter-frame relations of structure and color.
Imprints of colors in several layers geometrically stylized and structured by various stencils, textile samples, plastic materials and masks. Color, also overlapping into the soundtrack, creates a special crackling sound.
1997, 16mm, 2min, silent/sound, b/w
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1997, 16mm, 5min, color, silent
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