2003, 16mm, 4min30sec, silent, b/w, 3-screen film
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Night Stories 2002, 16mm performance, 45min
Units 2000-2002, 16mm performance, 50-70min
Ultra (also V_ltra) initiated in 2000 as a continuation of F.A.G improvisation group. Ultra’s production is based on multiple 16mm film projection accompanied by improvised music. During the performance optical attachments, lenses and prisms further optically deform the projection of pre-prepared film loops.
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2002, 16mm, 5min, silent, b/w
______________________________________________________________________________________2001, 16mm, 20min, sound, color
In co-operation with Martin Čihák. Picture collage accompanied by live performance of the percussionist Jindřich Biskup. The majority of the material is of an abstract nature. Black and white fragments were taken from the Martin Čihák film YLO, further colored and covered with finish, then another layer of self-adhesive foil with a pattern imitating the texture of wall-paper was added. These were then printed with the use of color filters. A repeated pattern on the foils similar to the repetition of film frames creates an impression of fluent motion. Plastic transparent foils changing their colors and shapes when lit through by the light of projector create another motive. Another part of the film was computer generated and then printed onto transparent foils, then pasted onto the surface of the filmstrip. The final part captures light change in the view of the backyard from the window, exposed in many layers.
______________________________________________________________________________________1999-2000, N8, 9min30sec, silent, b/w
Four diary records. ‘Autumnal Garden’, shot in the garden of the Cimelice castle, based on accelerated light-tonal changes during time recording. In ‘Train ride’ the multiple exposure shot from the window of a moving train also uses the reflection in the train interior. Together with the picture outside the window we can see a reflection of the picture outside the opposite window. ‘Interior’ is a study of light-changes in a simple composition of a room corner, ‘Backyard’ expands the principle of the first part, using various apertures and focusing.
1999-2000, 35mm, 4min, silent, color
Film of kinetic pictures dealing with Herakleitos’ notes. In the color part of the film the masks are applied frame-by-frame, through which a transparent strip is colored by low-concentrated colors. The black and white part uses similar masks in the place of plastic stencils: the shapes are engraved into the black ground through a thin layer of matte located under the film.
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1999-2000, 8/16mm performance, 50-70min
F.A.G. (Film Action Group) was group improvisation. Material, mostly found footage, projected simultaneously from a number of projectors and accompanied by music improvisation. In co-operation with Martin Ježek, František Wirth (film), Zbyněk Moravec, Filip Novák, Viola Ježková, Martin Alacam (music).
______________________________________________________________________________________1998-99, 16mm, 3min15sec, silent, b/w
Six short studies on film material subject: picture division, film frames, positive, negative, leader, projection, TV screen on film.
______________________________________________________________________________________1998-99, 16mm, 4min15sec, sound, color
Music video. Footage of a band called Kopir Rozsywal Bestar. Six black and white shots of musicians, completed by etched imprints of film perforation, colored and further chemically changed through a colored stencil. Part of the film is also formed by textile samples imprinted onto a black background.
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1998, 16mm, 3min30sec, silent, color
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